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✺ I EAT TINGS: JOLLOF

✺ I EAT TINGS: JOLLOF

On Tomato, Time, Smoke, and Letting the Ancestors Take the Heat



 I Eat Tings stamp featuring a vivid pink sculptural tongue covered in raised blue markings, rising from orange liquid inside a blue and purple patterned bowl. A curling turquoise tendril moves beside it, framed by a neon-green grid against a textured black cosmic background.
Before the tomato transforms, the tongue is already reading what heat, smoke, memory, and time are building.



I Eat Tings centers nourishment as a daily spiritual practice and food as creative material—how what we ingest shapes mood, memory, energy, imagination, and capacity.











✺ Jollof — Making Love to the Tomato

Distressed risograph-style hero poster on a warm terracotta background with the large title “Smoky Jollof” and the phrase “Sabi Romance Tomato Well-Well.” Layered collage elements include a bag of parboiled rice, red onions, peppers, tomatoes, and bowls of jollof rice, overprinted with pink halftone dots, green and purple ink, geometric frames, and a repeating “I Eat Tings” border.
Sabi Romance Tomato Well-Well. Jollof is the evidence: tomato transformed, rice stained, smoke held.

Let me say this plainly:

West Africans know how to make love to a tomato.


And we don’t.

Not like this.


I was intimidated.

I have eaten jollof.

I have loved jollof.

But making it?

I was scared.


So I said a word.


I called my West African ancestors forward and asked them to lead my hands.

And then I got to work.


//// TOMATO TRANSFORMATION PROTOCOL ////

The protocol begins in orbit: thyme, onion, tomato, bell pepper, curry, Maggi, and others gathering into the base before heat transforms them.

Because what is happening in this pot is not basic cooking.

It is transformation.


Tomatoes are being:

roasted

blended

reduced

fried


until they are something else entirely.


Until the water is gone.

Until the oil separates.

Until the smell shifts.


Until the tomato stops tasting like an ingredient waiting to be used and becomes the infrastructure holding the entire pot together.


And yes, people use canned tomatoes.

Do what you need to do.


But I am not interested in convenience right now.


I am interested in:

what happens when you let the ingredient fully become itself.


And if the base isn’t right?


The rice will tell on you.


Every time.


My last pot of okro taught me that tomato can be rude.


Tomato can try to chair the meeting.

Heavy handmade clay tableau of a tomato chairing an ingredient council around a blackened cooking-pot lid. The tomato grips a wooden spoon and stretches an arm across the table while onion, garlic, peppers, oil, and a bowl of rice gather around it over glowing coals.
Tomato came ready to chair the meeting. Jollof said: more heat, more time, more reduction, more attention—then we’ll see who is actually leading.

Jollof is teaching me something different.

Tomato is not always rude.


Sometimes tomato is simply unfinished.

Sometimes it needs more heat.


More time.

More reduction.

More attention.


Time enough to stop trying to sit on top of the food and begin carrying it.


Now let’s talk about smoke.


Because I leaned in.


Heavy.

Guajillo peppers.

Chipotle bouillon.

Roasted base.


And then that bottom layer.

That slight burn that is not a mistake.


I smelled it.

My body smelled it.

And I got scared.


And I turned the heat down too soon.


Because that is the threshold.


That is where the crispy, smoky bits form.

That is where the flavor deepens.

That is where the rice begins holding evidence of the fire it survived.


Next time?


I’m staying there longer.


//// SMOKE PRACTICE ////

Char is where tomato, onion, red bell pepper, and habanero begin carrying smoke before they ever reach the rice.

Because this part?

This is familiar.


This is Southern Black American barbecuing.

Fire.

Patience.


Letting something sit in heat until it becomes something else.


It was not quite summer when I first wrote this.


But my body still knew fire.


And I was already thinking about taking this outside.

Letting the grill speak to it next time.


I still have not made it to the grill this summer.


But I have major suya plans after the oven-broil method was top tier.


Because this is not simply about adding a smoky flavor.


Smoke is relationship with time.


Smoke is knowing the difference between something burning because it has been abandoned and something catching because you stayed close enough to let the heat do its work.


Jollof is not rice with sauce.

The organism moves, the pot answers: smoky jollof bouncing and glitching because the rice is alive with everything it absorbed.

It is rice that has been absorbed, stained, carried.


Rice that has entered the tomato and come back carrying evidence.

And then it keeps becoming.


Day one.

Day three.

Day five.


It deepens.


The meal does not end when the stove turns off.

Time remains one of the ingredients.


And I laughed while cooking.

Deep.

African.


Because baby…

some of these African men really fumbled.


And I say that with all the spite and full joy of having fully reversed the osmo(cis).


I am very clear.


Because what I am building in this pot?


This attention.

This patience.

This fire.

That is not casual.

This is care.

When you do it right—

when you let the tomato transform

when you trust the heat

when you stay at the threshold—

your body knows.


And I mention the fumble because what I really wanted was a relationship to the culture that I could embody.


Instead, I just got them in my body.


That was not the bridge.


This pot is.


Oh, Caribbean Hut / Island Vibes days.

K bye.


◉ At the Table


Heavy handmade clay Hom(e)ie with cobalt-blue skin, black bantu knots, a pink top, and green trousers sits cross-legged, lifting a spoonful of smoky jollof from a large bowl topped with caramelized plantain.
At the table, the lesson becomes a meal: smoky jollof, caramelized plantain, and a body tasting what tomato became after heat, time, and attention.

I ate this jollof across days.


Day one carried the brightness of what had just been made.


Day three let the smoke, dried fish, tomato, pepper, and rice settle more deeply into one another.


By day five, the pot was still speaking.


The jollof did not remain one meal.


It kept returning with more of itself available.


  • Flavor enters early.
  • The base before heat.
  • Heat, measured by hand.
  • The base becomes one.
  • Relationship before blending.
  • Baby, I did that.
  • Hold the heat.
  • Smoke found the rice.
  • The body said: correct.

◉ Tongue Check

Taste the air.

Claymation brown lips extend a tongue covered with distinct clusters of different color taste buds against a black background.
The tongue reads the evidence: tomato, heat, smoke, sweetness, char, and what remains.

Taste the plate.

Taste what remains.

What is sweet.

What is bitter.

What is missing.

The tongue always knows.


I Eat Tings.

Each dish is a portal.


✺ I EAT TINGS: JOLLOF


Cosmos Watershed


✺ I EAT TINGS: JOLLOF explores jollof as transformation, threshold, and a living diasporic bridge. The essay begins with intimidation: a body that has eaten and loved jollof but has never trusted itself to make it. Calling West African ancestors forward, the body enters the pot through roasted tomato, guajillo pepper, chipotle bouillon, oil, rice, smoke, heat, and time. The tomato must be allowed to become something beyond itself. The rice must be absorbed, stained, and carried. The cook must remain close enough to the heat to recognize the difference between abandonment and transformation. Southern Black barbecue knowledge enters as an embodied relative to West African smoke practice, creating a connection that romantic proximity to African culture could never build. The jollof continues becoming across day one, day three, and day five. Time remains an ingredient. What begins as a fear of making jollof becomes a practice of cultural embodiment: that was not the bridge. This pot is.


Watershed

Tributaries

Watershed

Deep Water

Relationship

Tomato, rice, oil, smoke, heat, time, body, and ancestry entering transformation together until the ingredient becomes infrastructure and the pot becomes a cultural bridge

Hom(e)ie

Tomato · Rice · Guajillo Pepper · Chipotle Bouillon · Dried Fish · Oil · Smoke · Fire · Hands · Body · Ancestors · Time

Origin

West African jollof traditions · a Black American body intimidated by making jollof · Southern Black barbecue memory · a home kitchen learning when to trust the heat

Expansion

Tomato Transformation Protocol · Smoke Practice · tomato as relationship infrastructure · time as ingredient · threshold attention · food as cultural embodiment · the pot as multipoint bridge

Application

Roasting · blending · reducing · frying · rice absorption · bottom-pot smoke · sensory observation · staying with heat · repeated tasting across several days

Lineage

West African jollof foodways · Southern Black American barbecue traditions · African diasporic smoke knowledge · ancestral and embodied kitchen knowing

Counter Currents

Convenience as the primary value · underdeveloped tomato bases · fear of burning · turning the heat down before transformation · jollof reduced to rice with sauce · romantic or sexual proximity mistaken for cultural relationship · culture consumed without embodiment

Cosmos Coordinates


Coordinate

Entry

Primary Portal

✺ I Eat Tings

Connected Waters

≋ Deep Water · Tidal Water · Sacred Water · Turbulent Water

Tings Connections

◉≋ Afro Theory / Afroscape · I Know Tings · I Move Tings · I Smell Tings · The Wata(ring) W(hole)

Primary Methodology

Mycelial Sankofa

Methodological Practice

Tomato Transformation Protocol · Smoke Practice · repeated tasting · threshold attention · sensory recognition

Cosmos Concepts

Relationship Infrastructure · The Multipoint Bridge · Ingredient Transformation · Time as Ingredient · Cultural Embodiment · Relationship Thresholds

Geographic Coordinate

West African jollof foodways ↔ Southern Black American barbecue traditions ↔ the present home kitchen

Relational Coordinate

tomato ↔ oil ↔ heat ↔ smoke ↔ rice ↔ hand ↔ ancestor ↔ body ↔ time

Temporal Coordinate

raw tomato ↔ roasted base ↔ reduced sauce ↔ fried foundation ↔ absorbed rice ↔ day one ↔ day three ↔ day five

Orientation

Embodied · sensory · diasporic · ancestral · relational · smoky · multipoint · threshold-based

Core Refrain

West Africans know how to make love to a tomato.

Expansion Principle

That was not the bridge. This pot is.


Cosmos Constellations


Constellation

Connection

✺ I Eat Tings

Primary constellation. Jollof becomes a portal into tomato, smoke, time, diaspora, embodiment, ancestral relationship, and the politics of how cultural connection is built.

≋ Deep Water

The tomato base deepens through heat, reduction, oil separation, and smoke. The finished jollof continues becoming across day one, day three, and day five.

≋ Tidal Water

Each future pot returns with more knowledge. The cook approaches the smoke threshold again, carrying what the previous pot taught.

≋ Sacred Water

Ancestors are called forward to guide the hands. The pot becomes a site of cultural embodiment and a relationship to African foodways that does not depend upon romantic access.

≋ Turbulent Water

Fear enters when the bottom begins to catch. The cook turns the heat down too soon and learns that imbalance, uncertainty, and almost-burning can reveal the threshold where flavor deepens.

Mycelial Sankofa

West African jollof, Southern Black smoke practice, ancestral memory, sensory knowing, and the present kitchen connect through a multipoint bridge rather than a single uninterrupted route backward.

Tomato Transformation Protocol

Roasting, blending, reducing, and frying allow tomato to move beyond raw brightness and become the infrastructure carrying the entire pot.

Smoke Practice

Smoke is not simply a flavor added to the rice. It is a relationship with fire, patience, fear, attention, and the willingness to remain close enough for transformation.

Relationship Infrastructure

Tomato and pepper base organize the rice, oil, seasoning, smoke, and time around them. The base does not sit on top of the rice; the rice becomes absorbed, stained, and carried.

Relationship Thresholds

The slight bottom-pot burn marks the point where fear and flavor meet. Staying present at the threshold allows crispness, smoke, and depth to form without confusing attention with abandonment.

I Know Tings

The body smells the bottom layer before language can determine whether it is burning or becoming. Sensory recognition becomes part of the cooking knowledge.

Time as Ingredient

The meal does not end when the stove turns off. Day one, day three, and day five reveal flavors continuing to settle, deepen, and reorganize.

The Plate Is Never Alone

The jollof carries tomato, rice, fire, hands, ancestry, regional knowledge, fear, memory, sexual history, humor, and the conditions through which the pot became possible.


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