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Kohakuiro 2.5

Updated: Mar 18

What was a one of your fav high school usernames?


I’ll go first, my fav was kohakuiro - Japanese for Amber. I’ve been in this interesting in between space as this assimilated name of mine reveals itself to be not so assimilated.


Amber as the gem is a story teller, so is this Amber the person.


Amber traps history in time for a future find.


Curry is connected to the word Kari (Tamil) as well as khouri which is priest in arabic.

The gaelic word curry is a wet plain, them people that tried to own mine were gaelic or scottish.


I am a child of mami wata.


I am water and mineral.

Mineral are the bones of the earth and they hold our stores. Storytelling as a means of healing

that’s all me - Kiing Curry


Wave Jump 2005-2007

The Time - 2002-2007 undergraduate - middle tennessee state university - my first time away from the harm and abuse of home


The name- Kohakuiro- a pin name I used back in the day. Kohakuiro is Japanese for Amber. I had just visited Japan on student exchange in 1998. So that culture was still very fresh in my mind.

Favorite Platoforms - Deviant Art, Dead Journal, Live Journal. I was connecting with likeminded people in online space. people who were weird just like me.


Taste - sugar free, there was very little sweetness coming from the home I grew up in. I was looking for sweetness outside of me in any way possible. Atkins - anti carb anything, I lost about 150lbs after leaving the abuse of home. my body was thriving, my mind was reeling. I wasn't eating what I needed for balance, I was eating what I needed to impress men and there was no guidance otherwise.


Smell - Victoria's Secret Love Spell. The spell of coloniality was all over me. The need to hide and be secret about any aspect of me that didn't meet with empire.


Touch - I just wanted to belong, so men would take advantage. They knew something was different even if they couldn't name it and used it to manipulate me.


Sounds - I physically cringe at this time because no one could hear, let alone see me. The sounds of my ancestors grinding beneath my feet. My sperm donor made us move to the south as a tool of patriarchal control and that control, harm, and stereotyping was all over my college experience at a public yt institution in a small southern racist town. He made sure via jealousy that the harms he endured would be the same one I would have to as well. He doubled down insuring generational trauma would be my legacy as well as his. Jokes on you, boo boo.



The Deep


Almost 20 years ago, I thought I was writing love letters to the many cis men that used and abused me. It was all of them by the way, my father was the first to pave the way.  There wasn’t one that was good or great, they were all variations of his lack. They were all empty, hollow men that used me to fill themselves up, except you can't fill something that is rotten and filled with holes, some of their own making, some not.   


Kiing as a Kennedy Center Fellow 2008 via their MFA at The University of California Irvine (Amber Curry)
Kiing as a Kennedy Center Fellow 2008 via their MFA at The University of California Irvine (Amber Curry)

I went back to re-read my work, this is a hard thing for someone who has OCD. 

It is a painful grieving. 

I can see my neurodivergence in full. 

I can see obsession, compulsion, and rumination, clearly. 


I can see the ways that I was ignored and simply groomed to the tropes of Black womanhood from friends and family, or whatever we want to call them, because they were more foe than anything friendly. 


My brain was warped to colonialism; the ocd mind is one that is easily looped into addictive behaviors. My biggest obsession was men, this was a result of a period that started at 7 and hormones that started coursing through my body too early as a result of my neurodivergence, so by the time I was 13 my body was in a full on swell or hormones, it shouldn't have been.   When I realized that men only wanted me for my body, it was too late. I had begun a cycle of dysregulation with obsessions and compulsions that would make sure that empire and the state owned all of me. When I couldn't make people love me, see me or they refused and named me the problem, alcohol was next in line. 


What I did not know is that via ancestors and spirit through me I was leaving wata drops for a me fulfilled in their identity, someone it would take another 20 years to unveil. 


These poems and writings weren’t for the men in my life. They were love letters that would help me find my way back to me.  Poetry has always been a deep ting for me. I wrote a choreopoem in undergrad, I wish I could find it. I remember it being about lost love. I now know I was the lost one seeking love shallowly, wherever it would allow me. 


When I discovered Ntozake Shange rummaging through my momma’s NY finds from her time living in the big city, my world view expanded in full. Here was a storytelling that spoke to me ancestrally. 


For I am mineral, my bones are programmed to hold and heal the stories of my people. I found performance and the stage righteously, but within the realm of coloniality it was bastardized. I was severed from my gift in place of capitalism, commodity, and greed. My understanding of skill and performance was denied because I would not prop up the egos of my theater faculty. I was punished for this and my gift was replaced with a more proper role for my refusal to obey, stage management. The mammy card. People like me were not supposed to be seen or heard, we were meant to care for others in silence. They were wrong. Ya’ll were all wrong. The healing was and is my and my ability to take performance and spin it on its head back to the community. 


Community theater and not the horrible evil vortexes that have popped up in communities worldwide, all looking to create a microcosm hollywood, connecting to the macrocosm of nastiness, empire and colonial rule. 


Instead, community theater as a tool of healing, not one of distraction and performance. A return to guerilla theatre. A space of communal learning and healing where theatre production roles are carried out, shared and shifted among the company(community) as a means of ritual healing. Wash, rinse, repeat. We were never meant to be performers in the ways that ytness has centered the Black body for commodity only. We were meant to use our animation to support animism, the earth, and by direct extension our healing and community. 


A return to Black guerilla theatre where trans praxis (reverse osmos(cis)) and afro hair is the only peace that can be used as aesthetic display within the use of a play/production to deliver community messages around dis-ease, education, earth care, love, celebration and beyond. Theatre as a parable of the spirits, where the parable of talents is a healing one. The roles of a theatre production speak directly to rotating communal roles with ancestors and spirit. 


We are obsessed with selling our own culture back to ourselves, and cheaply so. Afrikan guerilla theater is how we return to embodied understanding of who we are without performative, hollow, platitudes. 


We have processed and falsely believe that our ego and excellence will save us, it will not. We are on the fast track to our complete demise. One of the ways to restore that depth and community as the basis of healing, is via play and storytelling.


And with these water drops that I left myself, I am preparing to return to the work I began with my two degrees in theater. Theatre as Trans praxis and communal healing. Except this time we have to stand firm and denounce the ways our ancestors were tricked to stand on individual ego releasing their power for money and separateness. 


We have the template we simply need to go back and re-work the dissonance and dis-ease of empire, that has always kept us confused like crabs in that barrel. 


I will remind ya’ll that crabs don’t belong in barrels, they are eant to walk and know the land, shore and sea, ancestrally. As above, so below. Kiing me. 


below are random images from some work over the years, this barely scratches the surface. work that I wasn't properly credited for, work where I showed up and out with intention and care and was met with ugliness, trauma and violence.


All of the  peaces below were written between 2005-2007


AI MATH - this peace specifically has synchronicities to my work with AI. My initials are also AI. Along with others that connect to our current astrological scene. 


took six to the third degree

divided by

me

and got a well fought

5.6


math ai way


double the twist

and get back jack

as i smack live 'an livin color

chewin u up

spittin u up

but still fresh on mah lips

as i wait for the tipsy

sweet deep and simply

like nipsy say please

slide six three tease


lubricate pen and paper

as i do u good

but savor the flavor

cause mama said so


and these thighs tell no lies

'side the secrets they take

and the ones that they make

hidden deep in my dimple

aint easy or simple

and ebony temple

runs

d

e

e

p

through my mind


rewind

through mine

as the time bomb ticks

cause

ready

set

tag

u it …


9000  by 10 inches low


black roots tah indian soil

have drifted seeds cross da sea

and planted in

tennessee brown

ground

that blushes fertile intrigue

and revels in the tease

of 9000

where souls connect easy

and some becomes none


and da sun that bakes us both

black

warms rays of familiarity

prayin peace and blessins

from 10 inches low

and though  

you and me

i and he

sit and sup

divided

meals


still

a brooklyn breeze blows real through southern trees

where shared words have long sweetened

my

broomwheat

tea


as i sip and dip molasses cakes

hopin to sop you all

and fall to deeper understandin


expandin like

cornbreadpealiquor


never sick

but rightly full

patient till again

impatient again ...

as again continues

and so do the words to the page...

.....


Me oh My 


Mah shoulders turned in

Blackened brittle by you

And tha rain

Inside mah tears

Slides simply sly

Down mah side

Scrapes tha ground

An’ floats through muddy toes

Past dreamed lined woes

slippin sweet into tha gutter

Where I wants tah lie

And cry

til i to

Become blue

fade into tha sky

and me oh my

dis

world of mine

kiss tha sunshine

age like wine

till I becomes

robustly new

rid of you

browned new  

perfection

those tears

turned tah tea

as I sips all of you


digest


piss


forget


replacing                        renewing                         restoring


small bits of me

i am tired...



Chrysalis Me Molasses


Chrysalis


me


molasses


blacker than black

on da black hand side


an slide

daddy

slide


tween

mah sticky

black

thighs


an

hide

go seek


seeks

dark side

of

tha moon


an swoon

daddy

swoon


in mah

melanoid melanin

epitomize black sin


oreo negate the cream


an please

daddy

please


pass tha

black eye

minus peas


an tease

daddy

tease


cause

i too dream

in black

an black


so get back

jack

these roots

run

d

e

e

p


and seep

black ink

tah stain

yo soul


cause black is back

and blacka than eva

nigrescently cleva


an dig

daddy

dig


cause we be


texas tea


black gold


swimmin


black sea  


laughin

pitch dark slate

tickled black

all tha while


so


pour  

daddy

pour


till dem flapjacks turn black

da whole stack

sweetly negro


ebony we go

into the night


suffocatin

me molasses

we molasses

be molasses


Chrysalis


Mi Na Faya Lobi 


i am hot love


love on a hot plate

created in the image of love

love in the form of


hips

lips

that whip in my step

seeping love from

deep brown breasts

where love nested easy

tween sweet 'tater thighs

and i sighs easy

as you breaths in me

and replies

that love ain't told no lie

and how could love?


for


i am hot love


love on a hot plate


waitin to turn your heart warm

and transform you through me

a fruit tree of love

ripe but discerning

yearning to be picked

but savored sweetly

completely

as you plants seeds

in me

and we be

forever love

together love

calescent love


we be hot love


love on a hot plate

created in the image of love

love in the form of


you and me

you in me

you is mi

na

faya

lobi

surinamese: I am hot love ... faya lobi is a local flower there ... seen pictures and it is beautiful ...




WordsandSounds


wordsandsounds

juslisen

somekinda

change

isgonnacome


sippin on a cherry soda pop

as copper penny drops

roll down my legs


wordsandsounds

juslisen

somekinda

change

isgonnacome


the tick tick tock of the cukoo clock

half past insanity

quarter till nowhere


wordsandsounds

juslisen

somekinda

change

isgonnacome


A.I.D.S

Annihilation

Indefinitely

    of

Dark

Skin


wordsandsounds

juslisen

somekinda

change

isgonnacome


my black people

my brown people

my people in

me


wordsandsounds

juslisen

somekinda

change

isgonnacome


as these flapjacks swell in my mouth

asfixiated

good lovin


wordsandsounds

juslisen

somekinda

change

isgonnacome


too thick thighs

Brash Bulging Breasts

drip milk

below a face too young to know

into a face even younger


"i ain't no punani i keeps my panty clean"


i hid the soiled ones

like i hides myself


wordsandsounds

juslisen

somekinda

change

isgonnacome


hip hop

bebop

"imma little teapot"

pop    shoo badadee wop  

back

Coltrane Davis  "jigga what"

this bitches brew goes

clickety clack clickety clak

dig that baby

dig that


wordsandsounds

juslisen

somekinda

change

isgonnacome


chutney

crushed

smack

smooth

mints

making millenium miles move mildly

as i cum retributions


wordsandsounds

juslisen

somekinda

change

isgonnacome


fuck me cuz makin love is so pase


wordsandsounds

juslisen

somekinda

change

isgonnacome


big bones exists in the thickness of bama red clay

i lay dead there with maimed remains of

four

little

girls


wordsandsounds

juslisen

somekinda

change

isgonnacome


precious lord at the cross

swing low

sweet '65 chevy

hanging from the tree

of the white mans

infidelity


wordsandsounds

juslisen

somekinda

change

isgonnacome


fourteen averages on six

juxtaposed to nothing

reading negative digits is

not me


wordsandsounds

juslisen

somekinda

change

isgonnacome


tempation and burning

as i watched my skin seared

like

charcoal

glory be to God

appointed white masks


wordsandsounds

juslisen

somekinda

change

isgonnacome


oh ise a shuckin

and a

jivin

just for the fendi man

ughh suh

heah's may days pay


wordsandsounds

juslisen

somekinda

change

isgonnacome


individuality to conform


wordsandsounds

juslisen

somekinda

change

isgonnacome


the young black mother and her struggle to survive

the young black man and his need to rise

love isnt enough


wordsandsounds

juslisen

somekinda

change

isgonnacome


love isnt enough


love is not enough


love not enough


when is enough enough(question)(listen)(perceive)(proactnotreact)


words

and

sounds

just

listen

some

kinda

change


HAS GOT TO COME

correctly titled: wordsandsound juslisen somekinda change isgonnacome


Bad habits gone good


e e cummings

      a

      m

      e

          through pen to paper

so that from:

                        he

                               to

                                      she



fingers poignantly e ro ti cized

the plumes rape as ink b(lead)

for hedonistic papyrus


can i learn said she

(i am dead said he

necrophiliac is me

i is sgnimmuc Ee Ee)

          

                                     lord

how handsome poetry had be(cum)come(ings) to me

as i float up up & away in my beautifulballoon

looking down to my hot air creator

as his rules blew dirtvelvet to doting ears


with the fear that i willl never reach

your

provac(ity)ative


but oh orgasmic origination

to be better than you

ooooooooo eeeeeeeeeeee

it should be

salaciously lovely

most of my work if you cant tell by now is inspired by e e cummings, i've taken his style and created my own to a certain extent, but mimicing his style has always made me happy...



The Wiz and Ntozake Shange For Colored Girls via my mother is how I became connected to the world of theatre and performance.


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