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✺ ≋ Gemini → Aries ← Cancer: Multiplicity, Lineage, and Becoming the Release

granny carried.

my mother held.

i release.

✺ ≋ Gemini → Aries ← Cancer: Multiplicity, Lineage, and Becoming the Release

═══════════════════

I. THE SANDWICH (I EAT TINGS UNKNOWN AND REGURGITATE)

═══════════════════

gemini → aries ← cancer

Heavy claymation conceptual diagram titled “Gemini → Aries ← Cancer: On Multiplicity, Lineage, and Becoming the Release.” Gemini appears as a network of branching messages, pathways, and connections feeding into a central pressure chamber. Cancer appears as shelves of memory, family archives, protection, inheritance, and home feeding the same chamber. Aries sits above as activation, ignition, movement, and initiation. A large pressure valve releases colorful rivers into fertile ground below labeled “Becoming the Release.”
This diagram maps the central argument of the essay. Gemini multiplies possibilities. Cancer carries memory and lineage. Aries becomes the activation point where accumulated pressure transforms into movement. What looks like release is often the result of many systems meeting in the same place at the same time.

that is the simplest way i can explain it.

a bridge.

a sandwich.

air on one side.

water on the other.

and me standing in the middle on fire.

granny’s birthday was june 5.

my mother’s a cancer, july 4.

and i am a triple-fire child born between them.

march 21.





Miss One

(5, 4, 3)

(2+1 = 3)


aries sun.

leo rising.

sagittarius moon.

for most of my life i thought astrology was about personality.

i don’t think that anymore.

i think it is about pattern.

lineage.

relationship.

the things bodies carry.

the things bodies refuse.

the things bodies release.

and lately i have been realizing something.

i am the pressure valve.

not because i chose it.

not because i am special.

not because i am enlightened.

because somebody had to release all the shit everyone else was carrying.

granny carried.

my mother held.

i release.

and before anybody rushes in to make that sound noble, don’t.

because it isn’t.

it hurts.

i am holding two generations worth of lies.

Heavy claymation tabletop overflowing with labeled boxes, journals, vessels, keys, clocks, documents, and containers. Labels include memory, faith, survival, care, protection, responsibility, expectation, duty, persistence, silence, conflict, and love. The scene resembles an archive of everything a person has carried across time.
Before there is release, there is accumulation. Not everything we carry is visible, but it still takes up space. This table imagines lineage, responsibility, care, conflict, memory, and expectation as objects stored within a living archive.

two generations of being told i am not seeing what i am actually seeing.

two generations of people asking me to ignore what my body already knows.



and somehow i still arrived here.

midlife.

undiagnosed for most of it.

autistic.

adhd.

ocd.

artist.

educator.

stage manager.

cosmetologist.

writer.

worldbuilder.

all the things people keep desperately trying to reduce into one thing because multiplicity terrifies them.

especially in black communities.

because everything around black life gets parsed out.

categorized.

separated.

flattened.

you are allowed to be this.

or that.

smart or creative.

spiritual or practical.

academic or artistic.

healer or worker.

pick one.

and if you don’t?

you get attacked.

═══════════════════

II. GEMINI — NAME THE TING

═══════════════════


Three claymation planet figures gather around a detailed watershed map. One figure Gemini, the planet mercury, is covered in messages, letters, and many eyes. Aries, the planet Mars, holds tools and pathways of action. A third Cancer, represented by the moon, carries photographs, memory vessels, and ancestral archives. Rivers connect their shared world beneath a star-filled sky.
 Multiplicity (mercury/gemini), action(mars/aries), and lineage(cancer/moon) are often described as separate forces, but they rarely operate alone. Every choice emerges from a conversation between memory, possibility, and movement.

which is funny because i think i finally figured out what gemini means to me.

and it has absolutely nothing to do with twins.

it is multiplicity.

the ability to hold more than one thing at once.

i can love my grandmother and grieve her.

i can understand my mother and refuse her harm.

i can be autistic and gifted.

i can be wounded and healing.

i can be angry and compassionate.

i can be fire and still carry water.

this is the wata(ring) w(hole) after all.

that is multiplicity.

and i think granny understood multiplicity.

she held a lot.

she carried a lot.

probably more than i will ever know.

but she could not release.

and that sentence keeps breaking my heart.

because she literally died coming out of dialysis.

a body struggling to release.

my north node moved is in gemini and i have spent the year naming things.

Heavy claymation symbolic landscape showing Gemini as branching networks of messages and pathways, Aries as a central force pushing forward, and Cancer as a protective structure of memory, roots, home, and care. Rivers and bridges connect all three regions across a shared terrain.
The essay began as an astrological observation and became something much larger. Gemini multiplies. Cancer holds. Aries pushes forward. Together they create the conditions for transformation.

not predicting.

not manifesting.

not bypassing.

naming.

this happened.

that happened.

this hurt.

that helped.

this belongs to me.

that does not.

the more precise i become, the more free i become.

not because precision creates certainty.

because precision creates movement.

some questions need answers.

some feelings need movement.

gemini helped me learn the difference.

═══════════════════

═══════════════════

Heavy claymation portrait inspired by a family photograph. An adult Black woman holds a crying child in front of a vintage green car. Rivers wind through the landscape around them while plaques reference ancestors, movement, memory, legacy, and release. Large text reads “Becoming the Release.”
My mother spent much of our childhood documenting moments. Looking back, I realize many of those photographs captured things neither of us yet had language for. In this image, a child attempts to move (aries) while a mother attempts to preserve (cancer) the moment. Neither is wrong. One is seeking release. The other is seeking remembrance. Decades later, the photograph feels less like a family snapshot and more like evidence of a truth that was already present: the thing everyone was trying to contain may have been the path forward all along.

and i look at my mother and i see something similar.

different expression.

same pressure.

high blood pressure.

silence.

containment.

survival.

harm she allowed to happen to her.

harm she redirected toward me.

and i understand it.

Vintage family photograph of a Black woman holding a crying child in front of a car, presented through a torn heart-shaped opening in textured paper.
For years I thought this photograph was a picture of a child acting up. Now I see something different. I see a child trying to move. I see a mother trying to hold everything together. One is seeking release. The other is seeking preservation. Neither is wrong. Looking back, I don’t think the movement was the problem. I think the movement was the information. This image became one doorway into my latest essay.

i hate it.

but i understand it.

which might be the most gemini sentence i’ve ever written.

i hate it.

but i understand it.

people talk about cancer as nurturing.

care.

family.

home.

but i have become interested in a different question.

what gets carried forward?

because not everything should.

the family photographs taught me that.

the diagnosis taught me that.

the letter taught me that.

the shaved head taught me that.

quitting drinking taught me that.

the body taught me that.

for years i thought my job was to carry all of this.

═══════════════════

IV. ARIES — BECOME THE TING

═══════════════════

Portrait of a bald Black nonbinary person standing in a kitchen, looking directly at the camera. Warm light falls across their face and shoulders. The image was taken shortly after they stopped drinking in 2022.
This was taken in 2022, shortly after I stopped drinking. I did not yet have language for everything that was changing, but I could feel that an old system was ending and something else was trying to emerge.

then in 2022 i shaved my head.

quit drinking.

and unknowingly asked the question that would change my life.

how do i release all that is in me generationally that everyone lied and said wasn’t there?

i didn’t know it then.

but that question became the cosmos.

the essays.

the workshops.

the diagrams.

the waters.

the videos.

the field notes.

the website.

none of them are projects.

they are release valves.

they are places where pressure can go.

because i am beginning to understand that the multiplicity was never the problem.

the lack of containers was.

saturn entered aries and i have spent the year feeling that pressure.

Heavy claymation narrative landscape. Multiple versions of the same person appear across a river system while another figure runs toward a portal. A lineage figure carries family photographs and memory objects. Signs reference multiplicity, ancestral routes, future paths, and becoming the release.
Multiplicity is not fragmentation. It is the recognition that many versions of the self can exist at once. Lineage is not weight alone. It is also movement, direction, and the pathways that made arrival possible.

not pressure to do more.

pressure to become more honest.

what remains when the performance ends?

what remains when the masking ends?

what remains when the explanations end?

what actually belongs to me?

the answer keeps arriving in the same place.

the work.

the writing.

the diagrams.

the cosmos.

the body.

the release.

some questions need answers.

some feelings need movement.

when i first wrote that sentence i thought i was talking about ocd.

i was.

but i was also talking about lineage.

granny carried questions that never got answers.

my mother carried feelings that never got movement.

and somehow i became the bridge between them.

air.

fire.

water.

gemini → aries ← cancer

a rapid air and thought that could never ground itself and express.

a refusal of healing wrapped inside memory and survival.

and me in the middle.

ancestors.

spirit.

fire.

pressure.

movement.

all trying to find somewhere to go.

═══════════════════

V. BECOMING THE RELEASE (PRESSURE VALVE)

═══════════════════

which is why i keep coming back to the body.


because eventually the body tells the truth.

it tells the truth in blood pressure.

it tells the truth in addiction.

it tells the truth in cortisol.

it tells the truth in panic.

it tells the truth in exhaustion.

it tells the truth in titties touching knees.

and listen.

i loved my granny.

deeply.

but part of my healing journey is recognizing exactly why granny’s titties were touching her knees and why i will lift 3472 million kettlebells to get these hoes back up in my chest.

i’m only half joking.

because that is lineage too.

what do we inherit?

what do we interrupt?

what do we transform?

my mother could not release.

granny could not release.

and for a very long time neither could i.

the pressure simply moved.

generation to generation.

body to body.

silence to silence.

until it reached somebody autistic enough to keep asking questions.

Heavy claymation cosmic landscape showing multiple life stages of the same Black person, including toddler, child, teenager, young adult, present self, and future elder. Rivers connect each stage through books, memory objects, ancestral photographs, vessels, maps, and community archives.
No version of us disappears. The child, the teenager, the emerging adult, the present self, and the future elder all remain in conversation. Becoming the release is not leaving them behind. It is learning how to carry them together while continuing to move forward.

adhd enough to chase every connection.

ocd enough to refuse to let go of the pattern.

artist enough to build containers for all of it.

which means maybe my role was never carrying.

my role was release.

my natal chart is fire.

my solar return is trying to teach me containment.

libra rising.

taurus moon.

saturn in aries.

for most of my life fire has been easy.

movement has been easy.

ideas have been easy.

connections have been easy.

starting has been easy.

staying has been harder.

resting has been harder.

integrating has been harder.

allowing something to fully arrive before moving to the next thing has been harder.

which is why this solar return feels so strange.

libra rising keeps asking me to create relationship with myself.

not perform relationship.

not explain relationship.

not manage relationship.

relationship.

taurus moon keeps asking me to slow down long enough to inhabit what i have already built.

and if i am honest, i hate that lesson sometimes.

because my sagittarius moon wants movement.

my aries sun wants motion.

my leo rising wants expression.

i am built for fire.

but this year keeps asking me a different question.

can you stay with the thing after it arrives?

can you inhabit the harvest?

can you trust what has already been built?

because for so much of my life i have been forced into motion by survival.

forced into motion by trauma.

forced into motion by masking.

forced into motion by other people’s emergencies.

and now that the cosmos is becoming coherent, i keep finding myself standing in front of things i asked for years ago.

Circular Bespokecurry Cosmos logo featuring a stylized ancestral face surrounded by geometric patterns and the words “The Bespokecurry Cosmos” on a black background.
The cosmos was forming long before I knew what to call it.

the website.

the essays.

the workshops.

the diagrams.

the community.

the language.

the containers.

and instead of immediately running toward the next horizon, this year keeps asking me to witness what is already here.

which might be the most uncomfortable thing of all.

because a sagittarius moon that never gets to move eventually starts trying to travel through thought instead.

heavy claymation neurodivergence graphic showing a pink brain resting within a purple cloud-like form suspended against a cosmic background with geometric grid lines and colorful neural pathways
The ting everyone was trying to fix was often the thing trying to show me the way.

and that can become ocd fuel.

because if the body cannot journey, the mind starts journeying.

and the mind has far fewer guardrails.

so maybe this year is not teaching me how to burn brighter.

maybe it is teaching me how to tend the fire.

how to keep it alive long enough to warm something.

long enough to transform something.

long enough to become home.

the lesson is no longer:

burn brighter.

the lesson is:

can the fire be held long enough to transform something?

Heavy claymation watershed diagram showing interconnected rivers, roots, and pathways flowing outward from a central spring. Branches are labeled writing, movement, community, ritual, art, relationship, embodiment, practice, care, study, teaching, and rest. Small plants emerge throughout the network.
Pressure does not disappear. It moves. Writing, movement, rest, ritual, teaching, art, community, and relationship are all release channels. The question is rarely whether something needs to move. The question is where it is allowed to go.

because that is what fire does.

it changes the state of things.

and maybe that is my role in this lineage.

not to carry forever.

not to hold forever.

not to stay silent forever.

to transform.

to release.

to tell the truth.

even when the truth makes people uncomfortable.

even when the truth makes me uncomfortable.

even when the truth reveals that the things i spent my life questioning were actually real all along.

because my body arrived here despite everything.

despite being undiagnosed.

despite the lies.

despite the performance.

despite the pressure.

and if there is one thing i know now, it is this:

the pressure was never imaginary.

the pressure valve was not.

i am the release.

and i am finally learning how to stop apologizing for the sound.


Cosmos Watershed



If Gemini → Aries ← Cancer explores the necessity of release, My Emotions Are My Process explores the consequences of release inside a Black autistic body. Together they trace the path from expression to integration and ask what happens when emotional release is repeatedly mistaken for misbehavior, manipulation, or dysfunction.


✺ ≋ Gemini → Aries ← Cancer: Multiplicity, Lineage, and Becoming the Release

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