top of page
Bespokecurry-Top-Menu-Starry-Riso-BackgroundJPG
Geometric red triangle symbol beside a single vertical slash against black space. This symbol represents Trans Learn Tings as transition, rupture, self-definition, nonlinear becoming, and frameworks for learning beyond imposed systems.
Bright green spiral snail with textured shell and soft glowing body resting against a pale background. This symbol represents Mbegu ya Ardhi, “Seed of the Earth” in Swahili, as the Bespokecurry blog space for slow growth, grounded learning, observation, embodied writing, and ideas unfolding over time through lived experience.
Yellow and red octopus with curling arms and textured detail. This symbol represents About Kiing Curry through intelligence, multiplicity, self-awareness, creative reach, and many forms moving from one body.
Bright green and deep red crab with raised claws and wide stance floating against black space. This symbol represents The Lab as sideways thinking, testing systems, experimentation, structural disruption, and unconventional pathways of knowledge.
 Deep maroon fish with green and coral red markings, facing forward like a small signal moving through water. This symbol represents The Knewsletter as recurring messages, updates, and living transmissions from the Bespokecurry cosmos.
Flowing water lines beside a dark radiant starburst with grounding bar beneath it in earthy brown and green tones. This symbol represents Fungi Tings as layered ingestion, underground transformation, decomposition, fungal intelligence, and deep internal processing beneath the surface.
Small multicolored fish moving together in layered schools across open space. This symbol represents The Tings as interconnected categories, moving parts, collective knowledge systems, and many small ideas traveling together through the Bespokecurry waters.
Three deep red African masks grouped closely together with carved facial markings and elongated forms. This symbol represents the Bespokecurry Cosmos as multiplicity, ancestral signal, layered identities, collective memory, and interconnected creative worlds.
Three flowing wave lines in layered blue and green gradients floating against black space. This symbol represents the Six Waters and The Wata(ring) Whole as movement, emotional drift, embodiment, atmospheric flow, and interconnected states of being across the Bespokecurry cosmos.
Small green and deep red sea snail-like organism with a large eye and soft rounded body. This symbol represents The Exploration as wandering, adaptive learning, curiosity, experimentation, and movement through unknown waters.
Blue and green shell-slug form with ridged texture and a soft glowing outline. This symbol represents the Embodiment Diagram as structure, sensation, regulation, and inner movement held inside the body.
Circular afro-like form paired with flowing water lines in magenta, green, and violet tones. This symbol represents the Afroscape Field Guide as embodied Black knowledge, Afro theory, hair and body systems, texture, atmosphere, and living archives of the self.
Bright orange cephalopod with curling tentacles and glowing blue edges floating against black space. This symbol represents Litm(us) and Black Beauty School as transformation through chemistry, fluid identity, Black beauty knowledge, body experimentation, texture, color theory, and the constant reshaping of self through creative practice and embodiment.
Three flowing wave lines beside a radiant starburst symbol in purple and blue gradients. This symbol represents Six Waters Cannabis Field Notes as ingestion, altered sensing, embodiment, atmospheric expansion, and cannabis moving through the waters of the body.
Flowing water lines beside a radiant starburst partially surrounded by a soft blue cloud form. This symbol represents the Terpene Index as aromatic atmosphere, sensory mapping, vapor, plant chemistry, and environmental mood systems moving through the body.
Multicolored school of small fish moving together in layered rows. This symbol represents the Members Area through collective movement, shared direction, community rhythm, and many bodies traveling through the same current.
Circular bracelet made of glowing multicolored cowrie shells and translucent beads arranged in a continuous loop. The bracelet represents adornment, material culture, ancestral connection, object-based storytelling, and wearable archives within Bead & Cowrie.
Green and red jellyfish with long trailing tendrils and a glowing outline. This symbol represents the Wata(ring) W(hole) through flow, depth, unseen systems, drift, sting, and water memory.
Deep red seahorse with curled tail and textured body floating in open space. This symbol represents the Bespokebook Portfolio as curated creative work, intentional display, archival storytelling, and carefully held artistic worlds.
Claymation-style Black scuba diver with bright orange curls floating underwater in colorful diving gear with bubbles rising beside them. This symbol represents the Bespokecurry Cosmos paid subscription space as deep exploration, immersive learning, protected creative worlds, and guided movement through the layered waters of embodiment, theory, art, and transformation.
Deep maroon and chocolate stingray with a long tail and glowing gold texture. This symbol represents BlaxkCurry Productions through grounded movement, quiet power, deep knowledge, and gliding creative force
Deep maroon and chocolate stingray with a long tail and glowing gold texture. This symbol represents BlaxkCurry Productions through grounded movement, quiet power, deep knowledge, and gliding creative force

Hom(e)ie Summer Camp: Autism, Unmasking, and Learning to Travel Differently

This trip marks something important for me. It is only the second time I’ve traveled on my own since receiving my autism diagnosis and allowing myself to live more fully through the ongoing practice of unmasking.

Hom(e)ie Summer Camp: Autism, Unmasking, and Learning to Travel Differently

Editorial cover image for the Bespokecurry essay Hom(e)ie Summer Camp: Autism, Unmasking, and Learning to Travel Differently. The handcrafted clay Hom(e)ie stands against a deep indigo Cosmos backdrop wearing layered travel clothing, headphones, a MountainSmith lumbar pack, Baggu bags, and holding an Owala water bottle. Space surrounds the character to emphasize preparation, curiosity, accessibility, and joyful independence.
Hom(e)ie Summer Camp: Autism, Unmasking, and Learning to Travel Differently



Hom(e)ie Summer Camp, Unmasking, and Trusting the Road


A Small Personal Note


I almost didn’t write this.


This trip is about practicing the very things I write about in the Cosmos—embodiment, community, curiosity, and returning to myself.


Right now, though, getting there is becoming more financially uncertain than I anticipated.


If this essay, or the work I’ve been building over the years, has meant something to you, I’m inviting you to help me make this journey possible.


Mutual aid, becoming a paid subscriber, purchasing from Bead & Cowrie, or simply sharing the work are all meaningful ways to support the Bespokecurry Cosmos.


Thank you for continuing to walk with me.


CA $thekiingcurry

VM @kiingcurry 


Over the next couple of weeks, the rhythm of the Cosmos may shift a little.


This trip marks something important for me. It is only the second time I’ve traveled on my own since receiving my autism diagnosis and allowing myself to live more fully through the ongoing practice of unmasking.


I’m calling it hom(e)ies summer camp because that makes me smile. In reality, it’s simply a trip with a hom(e)ie—a chance to learn, rest, create, laugh, and spend time in community. But it is also something much deeper.


It’s an opportunity to keep practicing trust.


Trusting that I can move through the world without forcing myself back into an older version of who I thought I had to be.

Trusting my accommodations.

Trusting my rhythms.

Trusting that I can navigate unfamiliar spaces while honoring the person I have become instead of performing the person I once believed others needed.


This also isn’t a splurge or a vacation in the way those words are often understood.

It is an investment in relationship.


For much of my life, so much of my energy has gone toward surviving, understanding myself, and building a relationship with my altar’d self. That work continues, but I’m beginning to grow the capacity to build relationships beyond that—to practice friendship, community, and being present in the world without abandoning myself in the process.


That, too, is embodiment.


Because of that, the pace here on the website may ebb and flow depending on my capacity. If energy allows, I’ll likely publish a few essays, field notes, or reflections while I’m away. If not, the work will be waiting when I return.


You may notice me sharing more frequently on social media over the next couple of weeks, offering small moments from the journey as they arrive.


And if you’re new here—or if you’ve only encountered the work through social media—I want to offer a gentle invitation.


The website is where the ecosystem lives.


Rather than reading one essay and moving on, follow your curiosity.

Wander.

Open the links that catch your attention.

Let one idea lead you into another.


The essays were designed to be relational, allowing concepts to meet each other across astrology, Black study, embodiment, food, adornment, neurodivergence, movement, and the many other waters that make up this Cosmos.


There are countless entry points.


You don’t have to begin at the beginning.


Simply begin where your curiosity meets you.


And if this work has supported your own journey, I’d love to ask for your support while I’m away.


The Cosmos continues to need tending whether I’m writing from home or practicing a new way of moving through the world.


If you’ve been thinking about collecting a piece from the shop, July is a wonderful time—everything is 25% off throughout the month. If wearable art, books, or objects from the Cosmos have been calling to you, this is a beautiful opportunity to bring one into your own ecosystem.


If you find yourself returning to these essays, consider becoming a subscriber. Your subscription helps sustain the long-term work of building this archive and allows me to keep creating resources that invite deeper embodiment.


And if a purchase or subscription isn’t possible right now, a donation of any size is another meaningful way to help keep this work alive.


Every form of support helps create the conditions for the Cosmos to continue growing—not only through essays and artwork, but through moments like this one, where I’m practicing a larger, more relational life.


Thank you for reading, for wandering, for supporting, and for growing alongside me.


I’ll see you somewhere inside the Cosmos.


Field Notes from Adult Summer Camp

One of the biggest decisions I made for this trip was choosing to travel by train for the entire journey.


That wasn’t just a transportation choice—it was an embodiment choice.


My first trip after receiving my autism diagnosis taught me something I couldn’t unknow.

I genuinely enjoy trains.


Airports are still deeply overstimulating for my nervous system. They move at a speed my body struggles to metabolize. Constant announcements. Bright lighting. Security checkpoints. Crowds moving in every direction. Last-minute gate changes. The expectation that everyone should simply keep up.


The train offers me something different.

It gives me time.


Time to regulate.

Time to notice the landscape.

Time between connections.

Time to eat when my body actually needs food instead of rushing because boarding has begun.


It also allows me to pack the foods that help me stay regulated throughout the trip instead of hoping I’ll find something that works once I arrive.

More and more, I’m realizing that my body isn’t asking me to move slower because it is broken.


It is asking me to move at the pace where I can actually experience my life.

This trip is another opportunity to practice trusting that pace.


What’s Traveling With Me

A handcrafted clay flat-lay of the Hom(e)ie’s complete travel ecosystem arranged on a dark background. Every object is labeled with handwritten field notes describing its relationship rather than simply its function. The collection includes a Mountainsmith lumbar pack, Owala water bottle, headphones with cat ears, handheld fan, N95 mask, carabiner, BAGGU bags and wallet system, notebook, Afroscape R&D journal, laptop covered in stickers, pencils and pens, food container, snacks, toothbrush, toothpaste, lotion, sanitizer, lip balm, perfume oil, battery bank, charging cables, phone, books on Black futures and ecology, hair research materials, and other everyday care objects. Together they form an embodied accessibility system where hydration, regulation, nourishment, curiosity, observation, and creativity travel together rather than as separate needs.
Accessibility isn’t what I pack after I’ve planned the trip. Accessibility is how I plan the trip.

These aren’t necessarily recommendations.


They’re simply some of the companions helping me move through this particular journey.

  • Inokraft handheld fan for temperature and sensory regulation. (im inspector gadget geeking out about this one in a big way)

  • BAGGU bags that help me organize my belongings without creating visual chaos.

  • Noise-canceling headphones for building a quieter sensory environment.

  • A battery pack so my phone, headphones, and other supports stay powered throughout the trip.

  • Foods that I already know my body enjoys and tolerates.

  • Comfortable clothing that lets me move instead of perform.

  • A notebook for whatever the journey wants to teach me.

  • Materials for the beginning of my textile practice and the first stages of building the Afroscape Hair Installation. This trip isn’t separate from the Cosmos—it’s part of it. Along the way, I’ll be gathering relationships with fiber, cloth, texture, and hair as I begin imagining what this installation wants to become. Rather than arriving with a finished plan, I’m allowing the work to emerge through observation, curiosity, and lived experience.

  • The first printed draft of the Afroscape Field Guide. This will be its first journey outside my studio and the first opportunity for me to live alongside it. I’m excited to read it in new environments, make notes by hand, notice what feels clear, what wants more room to breathe, and how the field guide changes as it enters into relationship with the world beyond my desk. Like so much of the Cosmos, it isn’t finished before it is shared—it continues becoming through lived experience.


The destination matters.


But so does the way I arrive.


Cosmos Watershed


The Cosmos Watershed is not a bibliography. It is a relational map. Rather than documenting only where ideas originated, it traces how they entered into relationship, what they nourish, what nourishes them, where they continue flowing, and which currents they resist. Knowledge does not move through the Cosmos as isolated facts. It behaves like water—branching, converging, disappearing underground, resurfacing elsewhere, and continually reshaping the terrain through which it moves. The Watershed invites you to follow those currents rather than simply cite their source.



Cosmos Watershed

Tributaries

Companion

Origin

The realization that receiving an autism diagnosis did not end the journey—it created the possibility of building a life that honors the body’s actual rhythms rather than masking them.

Expansion

Extends into embodied travel, friendship as developmental practice, nervous-system-aware planning, accessibility as relationship, and documenting travel through Field Notes rather than productivity. Introduces the beginnings of the textile practice and the Afroscape Hair Installation as companions to lived experience.

Application

Readers are invited to observe their own travel ecologies: What environments regulate them? What pace allows them to arrive as themselves? What companions, objects, foods, and practices support relationship with their body rather than performance?

Lineage

Disability justice, neurodivergent embodiment, Black liberation through rest and accessibility, relational ecology, Afroscape, The Six Waters, Altar’d U, lived observation over optimization.

Counter Currents

Productivity culture, hustle narratives, tourism as consumption, airport-speed expectations, masking for social comfort, treating accessibility as accommodation instead of relationship, believing embodiment happens only through introspection rather than lived practice.

Hom(e)ie Summer Camp: Autism, Unmasking, and Learning to Travel Differently

Comments


bottom of page